terça-feira, 17 de janeiro de 2017

Blood Incantation

TTI: What do you think are the features that separate and distinguish Blood Incantation and Spectral Voice from other death metal bands, and from each other for that matter?

Paul Riedl: Personally, I can only guess that perhaps it's simply because these bands are real. These are not internet bands. They aren't art bands. Come see us on tour, we are friendly freaks whose lives are dedicated to filthy, rotten, cosmic, occult and heavy underground energies, not art school/internet weekend-warriors with short hair, fancy clothes and half-stacks. We record and manufacture our musical presentations as is necessary to physically participate in this amazing environment called underground metal. You like cool records in your record collection, right? Try adding one to it from your heart and soul instead of your wallet. It can be quite the process, but it's an indescribable feeling. Anyway man, we are not casual about this, and perhaps I come off as kind of intense about this stuff, simply because this is who we are and this is what we do. We are not hiding, we don't obfuscate our names on our records. People seem to think we don't have facebooks or websites because we're so obscure, but the reality is we just don't give a shit man. We don't have time for that. That's not what we're into this shit for, we are here to play metal. There's no props at our show, no makeup or capes or tough-guy voice between songs, just some bulletbelts, longhairs and huge amps. And you know, some pointy guitars (laughs). Man, I hate this whole internet crucifixion/millennial media world we live in, it's so superficial and fake. I get that technology is just an increasingly prevalent part of modern life, but people spend all this damn time on these screens bitching about and analyzing bands like they have any idea why one band did one thing and another band did something else. They're just not qualified! Simple as that. If you aren't in a band that can make a good song, then you have no business analyzing or publicly talking about someone else's song. That's the main problem with the internet, it gives everybody a voice. Anyway, we play the riffs we like to play because they sound like what we like to hear when we put records on. The records look the way they do because we like records that look like that. Our merch looks like the kind of merch we would actually buy from a band, which is to say that most bands' merch does not, at least to us. So there is the pattern. It is this transparency, this tangible reality and personal human touch that I think sets Spectral Voice and Blood Incantation apart from many other bands.

segunda-feira, 9 de janeiro de 2017

Antimateria

This is, hands down, the best Black Metal album I have listened to in ages.

quarta-feira, 14 de dezembro de 2016

Nocturnal Graves

There should always be room for some Black/Thrash.

segunda-feira, 7 de novembro de 2016

Ares Kingdom

There should always be room for a well played Thrash/Death Metal.

quarta-feira, 28 de setembro de 2016

Lizzy Borden

Don't you love the 80's? The cliche, the "we're full-blown metal" kinda attitude. I love it.

quinta-feira, 9 de junho de 2016

Sargeist - Let The Devil In

I have listened to this record a few times this week. I am not a fan of Depressive Black Metal (even though they don't sound like most bands of this genre), but this one is something else. The title track, Let The Devil In, has a catchy chorus.

terça-feira, 10 de maio de 2016

Necroskinner

Fellow countrymen delivering some real fun Thrash/Crossover. Some of their tunes remind me of Ratos de Porão, because the vocalist sound a little like João, and because of that Hardcore feeling to it.


domingo, 1 de maio de 2016

Briar - Edge Of A Broken Heart

When you think you've seen everything...

I was watching some Vixen (American all-female hair band), I came across a video of Richard Marx (yep, the 80's hit maker) and then I saw he recorded Edge Of  A Broken Heart, a song which I thought was Vixen's but then I learnt he wrote that for them (he was involved in their first record production).

Anyways, and then, YouTube gave me this one as a recommended video.



  1. These guys took the mullet thing a little too far;
  2. You have Ozzy, Lemmy and Bruce Dickinson in it (and I bet they didn't record any word in it);
  3. This is a BON JOVI song! It was supposed to be on Slippery When Wet record, but was cast out on the final release. Someone said on the video's comments that this track goes back as far as to when Bon Jovi was still BONGIOVI, before the band.
What a piece of music, my friends. And perhaps because I've looped it a number of times now, I kinda liked it.

quarta-feira, 13 de abril de 2016

1991

  • Unleashed (Where No Life Dwells), ✓
  • Benediction (The Grand Leveller), ✓
  • Bolt Thrower (War Master), ✓
  • Gorefest (Mindloss), 
  • Death (Human),  ✓
  • Morbid Angel (BATS),
  • Morgoth (Cursed), 
  • Sepultura (Arise), 
  • Asphyx (The Rack), 
  • Autopsy (Mental Funeral), 
  • Malevolent Creation (The Ten Commandments), 
  • Dismember (Like an Everflowing Stream), 
  • Cannibal Corpse (Butchered At Birth), 
  • Massacre (From Beyond), 
  • Immolation (Dawn of Possession), 
  • Sarcófago (The Laws), 
  • Grave (Into the Grave), 
  • Suffocation (Effigy of the Forgotten),
  • Gorguts (Considered Dead), 
  • Pungent Stench (Been Caught Buttering),
  • Entombed (Clandestine), 
  • Broken Hope (Swamped in Gore),
  • Dark Throne (Soulside Journey),
  • Paradise Lost (Gothic),
  • Pestilence (Testimony of the Ancients)
  • Carcass (Necroticism)
This list was compiled by a friend on Facebook. After I published this, I thought "hmm perhaps I should listen to all those classics again", so the ✓next to the name means that I listened to it after that, as part of the self-imposed "challenge".

quinta-feira, 29 de outubro de 2015

Rivers Of Nihil

Amazing Tech-Death. I really dug the timbre of the guitars and bass. Listened their latest record - Monarchy - like 4 times in the last couple of days.

Bode Preto

8 minutes of darkness, evil and sing-along Black Metal

sexta-feira, 9 de outubro de 2015

Slaughter - Fear No Evil

I've always found interesting how bands' career change when the sales go down. Some will follow the new trend, some will quit. Slaughter's Fear No Evil, released in 1995, decided to pretty much stick with their previous formula. Their best record by far, in my opinion. The catchy and strong Live Like There's No Tomorrow, the old-school-rock-n-roll Let The Good Times Roll and the quite sad ballad Breakdown N'Cry are amazing.

quinta-feira, 20 de agosto de 2015

Baton Rouge

This record in special, "Lights Out On The Playground", is excellent and it's been one of my favorite records ever for a very long time. The song, "Dreamin' In Black And White", is a perfect example of what Arena Rock is about: catchy and "sing along at top of your lungs" kind of chorus.

segunda-feira, 17 de agosto de 2015

Hobbs' Angel Of Death

One of those Thrash Metal cults. Peter Hobbs is one of those guys who will never give up. And even though originality is not the highlight of his music, his passion will make up for it.

sábado, 15 de agosto de 2015

Absu

Intense. Highly headbangable. Excellent production.

quarta-feira, 5 de agosto de 2015

Orchid

They sound more Black Sabbath than Black Sabbath itself in several periods of their career. Noticed I've been listening to several copycat bands lately, but if they're copy cating good bands and doing it well, why not? Let 'em roll. And all bands from the U.S.A.. That should mean something.

segunda-feira, 3 de agosto de 2015

Argus

Doomy Heavy Metal from the USA. Glad to find like decent and real doom from the USA these days that are not close tied to sludge/stoner and that kind of crap. A recommendation for Dawnbringer listeners. Am I too biased or this too has its share of Mercyful Fate?

Dawnbringer

Rather Mercyful Fate-ish, thus, great! Google Music recommended me this band because I enjoyed In Solitute, which is even more Mercyful Fate-ish, thus, even greater.